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I am 12 hi

I am 12 hi

blnchr:

Nam June Paik, Reclining Buddha, 1994

blnchr:

Nam June Paik, Reclining Buddha, 1994

(Source: nyctaeus)

kate-jam-and-diamonds:

by Mario Testino for Vogue US March 1998

kate-jam-and-diamonds:

by Mario Testino for Vogue US March 1998

(Source: mosssleeper, via anemptyspace)

e-erik:

 

The amazing zig-zag fishtank installed in the call centre of the aptly named Freshwater Software company office in Boulder, Colorado. A former employee of the company, Christina Gillman, said on the eXtreme Aquatics Facebook page: ‘This office was primarily used as a call center, so the tanks provided great background/white noise for us to conduct business. ‘We had many types of fish, ranging from Cichilds, catfish, tiger fish, menos, and more. The tank, built in 2000, sadly no longer exists. Freshwater was bought out by another company which closed the offices in 2008. Via Twisted Sifter

destroy the technostructure

e-erik:

 

The amazing zig-zag fishtank installed in the call centre of the aptly named Freshwater Software company office in Boulder, Colorado. A former employee of the company, Christina Gillman, said on the eXtreme Aquatics Facebook page: ‘This office was primarily used as a call center, so the tanks provided great background/white noise for us to conduct business. ‘We had many types of fish, ranging from Cichilds, catfish, tiger fish, menos, and more. The tank, built in 2000, sadly no longer exists. Freshwater was bought out by another company which closed the offices in 2008. Via Twisted Sifter

destroy the technostructure

sweating from sriracha over-consumption, asian game never strong

fuckyeahfayewong:

半途而廢

(via diehimbeere)

sickpage:

Felix VallottonChaste Suzanne, 1922

sickpage:

Felix Vallotton
Chaste Suzanne, 1922


Cut, 2013Igor Pjörrt

Cut, 2013
Igor Pjörrt

(Source: igorpjorrt, via tooombz)

anndemeulemeesterfanclub:

MARQUES’ALMEIDA FW2014

(via ooopsfuck)

oucu:

I am I アイアムアイ|野菜T-SHIRT

oddpears:

Helsinki-born photographer Osma Harvilahti is absolutely killing it with his studies in colour, composition and visual abstraction. His images are aestheticised so far to the point that reality takes on an almost sculptural feel.

Osma’s photographs seem familiar, almost as though we have already seen or have taken mental screen shots of these images of every day life - clutter in a lounge room, clothes on a washing line, a plate of fruit. It’s this perfect balance between aesthetic and reality that he has found an almost comforting place for the viewer. 

Enjoy more of Osma’s work on his Tumblr and Instagram.

(via tooombz)

bienenkiste:

Ph. Dario Catellani

(via melotae)

vuls:

polycarbonate canopy

vuls:

polycarbonate canopy

(via 08061991)

At first it was funny, how normative his worldview was. He who beared all the markings of a man –and a mature, attractive one at that– but still simple (and to me, subsequently juvenile) in his thinking. It’s like you’ve never questioned anything in your life, I would marvel. It’s like life told you to go buy a house and get married and have babies and you’re stupid enough to believe that it’s what you want, I would laugh. Just a boy, just a boy, just a 25 year-old overgrown boy. Then, months later, he is sitting in front of me in a shirt speaking of doing things, and going places, and sleeping early, and quitting cigarettes and other life things I realise at that moment that I clearly have no grasp of. It’s an age thing; you’ll feel this way when you’re my age, he says with intentionally reassuring (but unintentionally pitying) eyes. And there I am. Just a girl, just a girl, a silly, frivolous girl – still rejecting the set societal paradigms like a hopeless revolutionary romantic; still pretending to resist all the things that I know (and have known for a long time) we’ll all eventually succumb to; still refusing to grow up. And perhaps he’s known this all this time, seen through me like I thought I saw through him. And what can I do but to look at him and admit to my inexperience and my youth – because at least that’s easier than acknowledging the growing distance between us two.